[note: the Moridaira website presents a wholesaler and its link to Morris goes to the new acoustic line. however, this Morris "Wing" and Moridaira are clearly associated, according to the unverifiable information on the back of the headstock.]
one
okay, so here are my babies: a straightforward Westone on the left and
the "mystery Matsumoku" on the right.
two
note the "Thunder I" model id on the Westone [Is were bolt necks; IIs
were set necks; IIIs were neck throughs and an "A" designation meant it
had active pickups]. no model information is on the Morris headstock.
in fact, the Morris has no serial number or country of origin anywhere
that is easy to get at [i haven't torn the pickups out, yet, to see if
they are marked with anything].
three
this is something with which readers on this site should be familiar:
the Westone neck plate which says, "Matsumoku, 2010687 [serial number]
and Made in Japan".
four
the Morris body is so painfully similar to the Washburn "Wing" guitars
[and as near as i can see, identical to the Hohner posted here]. one
difference seems to be that the Wings had smooth carved tops, while my
Morris and the Hohner, here, have plateau-shaped tops.
two, nice, clear humbuckers with adjustable poles on both coils are
individually splitable with the two mini switchs between the control
knobs. these pickups are much more defined, in the low notes, than the
pair of Seymour "classic 57s" that i recently put into an Epiphone Les
Paul. that bridge is a solid piece of cast, or forged, steel, instead
of a bent plate, and the fret markers are brass rings [very "Washburn
Wing"].
five
both of these guitars are "fake neck throughs": the Westone is a bolt on
and the Morris has a set neck. i have never seen a picture which showed
the back of a Washburn Wing with a set neck, so i don't know how this
compares. strings go through the body and you can see one bit of
"cheepniss" in the Morris construction: the lower body is one piece of
wood, while the upper section is two separate, laminated pieces. [same as the Lotus, posted in this section.]
six
the back of the Morris headstock has some unverifiable information on
two retail store stickers [which i have never removed]. the top one
says: "699.99", which someone may have paid, new, for it. the one below
it says: "Moridair, Morris VX45R, 01-24-85".
the strangest thing of all - this generic, no model, no country, no
serial number guitar, with the "ghost company" name on the headstock,
has tuners which are stamped "Morris".
now, i didn't know anything about Matsumoku when i bought either of
these guitars. i was a bass player in the mid eighties and i just
wanted the best 200 dollar guitar in town, so, i bought the Westone,
used. even though it had lousy action, worn frets and was untunable, i
kept it and didn't play any other guitar. it looked like a Vantage and
i saw people play those, on stage, so i figured it must be okay.
in the late ninties, i got a little more serious about guitar and, fed
up with the Westone's shortcomings, i bought the Morris, used, for 600
bucks.
recently, i wanted to get a "really good guitar" and i tried out a wall
of stuff in new and used music stores. i didn't find anything that was
as good as the Morris. i decided to lower my sights to getting a backup
guitar and i bought a used Epiphone Les Paul.
i was ready to sell the Westone for 100 bucks, because i believed it was
beyond repair. but, i dropped it off at the Ottawa Folklore Centre, to
get an estimate, as i was on my way to pick up the Epiphone.
well, darned if Brian, the OFC luthier, didn't fix the Westone for 100
bucks and change! when i got the three of them at home, i just played
them all and i realized that both Matsumokus sounded way better than the
Epiphone. so, i put the Seymour, classic pickups into it, to give it a
fighting chance - it's the guitar i lend to people, now.
i looked at tons of guitars, lately, and i guesstimate that i couldn't
replace the Westone, with similar quality, for less than 500 bucks, new
or used [there's no deals on used instruments, in Ottawa]. and i would
never get the quality of the Morris for less than a thousand. you might
be able to get a lime green, late 80s Ibanez, with a handle hole in the
body, for less than that - quality that hurts the eyes.
but, now that i am a Matsumoku convert, my babies will never be for
sale, as long as i can still pick 'em up and strum them a bit.
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